Screen Shot 2012-03-02 at 11.13.37 (Out of Africa, 1985)
2012
Single Channel Video, looped (Colour, no sound)
2:31 min
Edition: 5 (+2AP)
Screen shot 2010-07-17 at 18.14.57 (Snatch, 2000)
Chromogenic Print, Diasec
80cm x 127cm
Screen shot 2010-07-17 at 18.14.50 (Godzilla VS. The Sea Monster, 1966)
Chromogenic Print, Diasec
80cm x 127cm
Screen shot 2010-07-17 at 18.14.45 (Snatch, 2000)
Chromogenic Print, Diasec
80cm x 127cm
Screen shot 2010-07-17 at 18.15.08 (Woyzeck, 1979)
Chromogenic Print, Diasec
80cm x 127cm
Screen shot 2011-07-17 at 18.15.03 (Master and Commander, 2003)
Chromogenic Print, Diasec
80cm x 127cm
Screen shot 2010-07-18 at 22.26.55 1 (Magnolia, 1999)
Chromogenic Print, Diasec
80cm x 127cm
Screen shot 2010-07-18 at 22.26.53 (Magnolia, 1999)
Chromogenic Print, Diasec
80cm x 127cm
Screen Shot 2012-11-09 at 22.28.45 (The Shawshank Redemption, 1994)
Chromogenic Print, Diasec
80cm x 127cm
Screen Shot 2011-10-05 at 22.52.12 (Derrida, 2002)
Chromogenic Print, Diasec
80cm x 127cm
Screen Shot 2012-11-01 at 16.54.28 (Cliffhanger 1993)
Chromogenic Print, Diasec
80cm x 127cm
Installation View, Circa on Jellicoe, Johannesburg, South Africa.
Chromogenic Print, Diasec
80cm x 127cm
DVDRIP
DVDRIP represents a sample of works produced during the time of the rise of illegal file sharing, or ‘pirating’ movies online.
This yet to be perfected digitization process often led to corrupt digital information, often created by accident through the process of illegally copying and sharing data. The corrupt information embedded in these films, when played, would briefly flash across the screen as abstract geometric patterns, large brightly colored pixels and image traces and artifacts. Reminiscent of Glitch Art, the photographic representation of this unintended data consists of using screengrabs in order to capture what is often a split second of corrupt footage in a film. The resulting images are in essence film-stills; yet retain little or no visual reference to the original footage.